Category Archives: Nikon Lens

Nikon 200-500mm

Nikkor 200-500mm review

The AF-S NIKKOR 200-500mm f/5.6E ED VR Lens from Nikon features a long, versatile zoom range characterized by a constant maximum aperture of f/5.6, which gives it consistent performance all through the zoom range.

Moreover, its optical design includes three extra-low dispersion glass elements that minimize distortion and chromatic aberrations, resulting in enhanced sharpness and color accuracy.

Nikkor 200-500mm review

Nikkor 200-500mm benefits from a Super Integrated Coating applied to lens elements and improved quality and clarity by lessening ghosting and flare.

Moreover, this superb telephoto zoom lens can bring in focus anything of your passion. Be it share stunning views of wildlife, birds, motorsports, performers, athletes, landmarks, or other faraway subjects, and this lens can capture it with perfection.

It features a fast f/5.6 constant aperture, leading to beautifully out-of-focus backgrounds and capturing fast-moving dazzling action sequences. It has an electromagnetic diaphragm that operates in sync for the fastest shutter speeds, and it also has Vibration Reduction image stabilization, which leads to sharp and steady images.

Let us look in detail at Nikon AF-S Nikkor 200-500mm f/5.6E ED VR Lens features to understand why this lens is so popular!

Nikkor 200-500mm – product overview:

The Nikon 200-500mm f/5.6E ED VR is designed to be compact, yet it doesn’t comprise its super-telephoto zoom capabilities. Whether the subject is far or close, fast or slow, it can be captured through this lens. This lens on 500mm can bring distant animals, birds, athletes, landmarks, scenery, and more into tight focus.

It adds a 1.5x zoom effect for an angle of view, making it equivalent to a whopping 750mm! Even though it has this extreme power, subjects as close as 7.2 feet away can also be focused on for detail-rich close-ups.

With its total weight of 2,300 grams, it is noticeably heavier than its counterpart, which weighs 80-400mm at 1,570 grams, and the Tamron 150-600mm f/5-6.3 VC, which weighs 1,951 grams, and the Sigma 150-600mm f/5-6.3 DG OS HSM which weighs at 1,930 grams.

But it is still lighter than other glasses weight-wise, such as the Sigma’s Sport version of the 150-600mm lens, which weighs 560 grams more. It is only slightly heavy but has tons of other features to compensate for it.

The fixed aperture of f/5.6

Even though it does not feature the same reach opportunities in the group of super-telephoto zooms, as it is the only lens with a fixed aperture of f/5.6, let’s not forget that the Nikkor 200-500mm f/5.6E VR can be done particularly well optically at the long end and can be used with teleconverters, while other lenses cannot.

So the 200-500mm f/5.6E VR surpasses the optical quality of other lenses, and many photographers opt for it instead of third-party options, majorly because of its autofocus reliability. While the rest of the 150-600mm lenses have reliability and quality assurance issues, Nikon is much better in that department and can be trusted.

Silent Wave Motor

Overall, Nikon’s beauty has quite a bit of modern optical technologies embedded into it when it comes to lens design. Although it is without Nano Coating, it does sport a Silent Wave Motor.

It has up to 4.5 stops of Vibration Reduction or image stabilization compensation, three extra-low dispersion lens elements, and an internal focus design.

Unlike Nikon’s previous old-style designed lenses, the mechanical diaphragms have been replaced by a much newer and superior electromagnetic diaphragm giving it a modern touch and feel along with faster and more efficient performance.

If you trust Nikon and you’re looking to invest in these great brand lenses, I just found a great resource for the Best Nikon Lens For Landscape Photography – you can read more here.


Nikkor 200-500mm is an impressive product as Nikon was able to manufacture a constant aperture lens design, which very difficult for such a long zoom lens. It is the first of its kind as lenses of similar class we have seen in the past from Sigma such as 150-500mm f/5-6.3 DG OS HSM), Tamron like SP 200-500mm f/5-5.3 Di LD) and the newer 150-600mm variants as well as, all feature variable apertures from short f/5 to long f/6.3 end of the range.

Suitable with the 1.4x teleconverters

So the Nikkor 200-500mm is quite a catch! It is unlike slower lenses that are unreliable and have inconsistent focusing experience, especially in low-light situations. It faces no such issues as the Nikon 200-500mm f/5.6E VR has a brighter maximum aperture of f/5.6 at all focal lengths, making this the lens suitable to be used with the 1.4x teleconverters.

Next is the Silent Wave Motor AF system it sports, which helps it produce a fast and near-silent focusing performance, which is well-suited for image capturing and video shooting.

It can also be instantly overridden manually by turning off the simple manual focus ring. It is not only quick but also provides precise autofocus. Then there is VR (Vibration Reduction) image stabilization that minimizes camera shake effects by up to 4.5 shutter speed stops.

This further contributes to efficient and convenient photography in fast-paced situations and difficult light. Moreover, this lens also includes an electromagnetic aperture mechanism designed to offer greater exposure control stability. This results in better performance when shooting with faster continuous shooting rates.

Compatible with DX sensors

Not only can this lens be used with FX image sensors, but it is also compatible with DX sensors; the only difference is that there it will provide a 300-750mm equivalent focal length range.

Then the fixed f/5.6 maximum aperture leads to consistent performance all through the zoom range. Additionally, it has three extra-low dispersion elements that minimize color fringing and chromatic aberrations to a great deal, thus resulting in greater color accuracy and clarity.

A Super Integrated Coating has also been applied to all its separate elements to reduce internal reflections, ghosting, and flare. This leads to enhanced image quality like contrast, and color accuracy is improved even when working in bright light conditions.

There is also an internal focusing design that allows only internal lens groups to move during focusing so that the lens’s overall length can be maintained during use. This leads to faster focusing speeds.

There is Vibration Reduction image stabilization, which is complemented by a designated Sport Mode. This makes them well-suited to work in both low-light conditions and fast-paced conditions. Users would greatly benefit from this feature when shooting in conditions where panning and other lateral camera movements are common.

There is a rotating tripod collar that provides well-balanced support for photographing with the help of a monopod or tripod with both vertical and horizontal shooting orientations.

You can see this great lens tested by Daniel from the daniel life YouTube channel for a better understanding of what Nikon 200-500mm can do:

What’s in the Box?

  • Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR Lens
  • 95mm Snap-On Lens Cap
  • LF-4 Rear Lens Cap
  • HB-71 Bayonet Lens Hood
  • CL-1434 Semi-Soft Lens Case
  • Tripod Collar
  • Limited 1-Year Warranty

NIKKOR 200-500mm Specifications:

  •  Focal Length: 200 to 500mm
  •  Max Aperture: f/5.6
  •  Min Aperture: f/32
  •  Lens Mount: Nikon F
  •  Format Compatibility: Full-Frame
  •  Maximum Magnification: 0.22x
  •  Minimum Focus Distance: 7.22′ / 2.2 m
  •  Optical Design: 19 Elements in 12 Groups
  •  The angle of View: 12° 20′ to 5°
  •  Diaphragm Blades: 9, Rounded
  •  Focus Type: Autofocus
  •  Image Stabilization: Yes
  •  Tripod Collar: Removable and Rotating
  •  Filter Size: 95 mm (Front)
  •  Weight: 5.1 lb / 2.3 kg

So to capture astounding pictures comfortably and efficiently, invest in this lens. <-Affiliate Link 🙂 It has all the features that a professional photographer requires, and its performance is beyond par. Use it to add magic to your photographs, as Nikon never fails to impress!

It is indeed a telephoto lens that zooms like a pro!

Nikon 35mm lens review – Nikon 35mm/F 1,8 G DX

If you want a lens that is as versatile as a prime lens can be, then the Nikon AF-S DX 35mm f/1.8G will be perfect for you. It is a 52.5mm-equivalent lens with a bright f/1.8 maximum aperture and is ideal for cameras with DX-format.

Nikon 35mm lens review

This lens is gaining immense popularity due to its sleek form factor, a standard field of view, and improved control over field depth. The lens’s fast optical design also enables isolating subjects and would allow users to work with selective focus techniques.

It also incorporates one aspherical element that helps to minimize distortion and spherical aberrations. This leads to the creation of sharper and clearer images.

This lens also has Super Integrated Coating applied to its elements, which reduces lens flare and ghosting so that more excellent contrast and color accuracy can be reached when shooting in backlit and bright conditions.

Moreover, this lens also employs a Silent Wave Motor to complements its optical performance. This motor enhances its performance by leading to a much quicker and quiet autofocus performance, which is also very precise.

It also allows user full-time manual focus override for both stills and videos so that you can experiment with settings to get the best results. This lens also features a rear focusing design that leads to only the rear lens group moving during focusing.

This results in the lens’s overall length to be maintained while shooting and allows faster-focusing speeds to be reached. It also sports a rounded seven-blade diaphragm, which results in a pleasing out of focus quality enabling the photographer to benefit from selective focus techniques and shallow depth of field.

Now let us look at the above-mentioned features of this Nikon 35 mm/F 1, 8 G DX-35 mm Lens in detail to understand what makes it so unique?

Nikon 35mm – product Overview:

Nikon’s 35mm F1.8G DX came as a surprise for many observers because of its many additional features, including an updated 35mm lens sporting an in-built autofocus motor and the ‘DX’ designation, which makes it designed explicitly for DX-format bodies.

Even though it is a bit of an inconvenience that isn’t fully compatible with the growing FX range but on the other hand, this is what has made it cheaper, smaller, and lighter. So in effect, this lens primarily targets users of the entry-level D40 / D40X /D60, etc., inexpensively.

It is 35mm focal length is equivalent to 50mm on an FX camera, making it fall into the ‘standard’ category, which offers an angle of view without any ‘perspective distortion,’ which are commonly associated with wide-angle lenses.

It features a fast F1.8 maximum aperture, which allows four times more light than the AF-S 18-55mm F3.5-5.6G VR DX kit lens. This makes this lens very useful for shooting in low light.

It also sports a ‘Silent Wave Motor,’ which allows autofocus on every Nikon’s DSLR bodies, having a bonus of allowing the user to tweak focus manually when the lens is set to the M/A position.

For this, there is a conventionally placed switch on the side of the lens barrel, which lets users change between auto and manual focusing modes. The motor works exceptionally well and is fast and completely silent.

The focus accuracy is very impressive, too, although there is a slight tendency of rear-focusing at intermediate distances.

Low distortion and spherical aberrations

Moreover, this 35mm F1.8G features eight elements in 6 groups. This includes an aspherical component used to reduce spherical aberrations and distortion usually associated with large-aperture prime lenses.

This leads to sharp imagery with accurate rendering. It also has Super Integrated Coating applied to its elements, which suppress flare, ghosting, and internal reflections. All in all, it provides improved color accuracy and contrast when working in strong lighting conditions.

However, this lens’s range is not like other typical 50mm standard prime as the focal length is rather shorter than the flange distance. That is why using the so-called ‘retro focal’ design is necessitated, which often results in increased aberrations.

Coming onto the design, this 35mm F1.8 features Nikon’s new design idiom for AF-S primes. This design also bears a small resemblance to the AF-S Nikkor 50mm F1.4G).

From the build to finish, everything is top-notch and belies the relatively lowly price. Nikon has not compromised on its standard to lower the cost, and rather this lens is sturdier than ever. It is not only well put together but is also designed smartly.

The barrel is constructed from plastic and has a metal mount.

Additional protection for dust and water

There is also an additional nice touch of an ‘O’ rubber gasket ring around the mount’s circumference. This is for the prevention of dust and water from ingressing into the camera.

Then its size is also very ideal as it is relatively small and compact than other lenses. This is a real advantage for those who wish for confinement carrying.

Even though it has an addition of the SWM autofocus motor, which makes it significant but it is still much smaller than the AF-S Nikkor 18-55mm F3.5-5.6G VR kit lens.

That is why it can be handled well on most of Nikon’s DSLR bodies, be it the largest such as the D300 or the smallest like D40 / D60 series.

It also sports a slim focusing ring with an 8mm wide ribbed-rubber grip and is accessible easily at the front of the barrel. It rotates about 120 degrees anti-clockwise from infinity to the closest focus.

Even the focus mode switch is placed perfectly for operation by the left thumb. This lens communicates with the camera body electronically through an array of contact pins with mechanical control of the aperture using a metal lever.

Its filter thread is 52mm, and it does not rotate on focus, which is a bonus for users of filters like neutral density gradients and polarizers.

The manufacturers have given a lot of thought while designing it to make every aspect perfect. Not only all elements perfectly positioned, but they are also desirable and reliable!

Great performing lens

Coming on to the lens’s performance, it is also awe-inspiring. The results are finely detailed at all apertures, and the focus is also quick and accurate except for low contrast wide open.

It is a lot sharper than other DX standard zooms. It also deals with resistance to flare and the rendition of out-of-focus regions of the frame very nicely. The distortion is also reasonably well-controlled at a 1.1% barrel.

The lens has one major flaw. It is a certain propensity to show chromatic aberration of both lateral and longitudinal kind, which can be corrected with in-camera processing.

Though it is not something big, as everyone knows, these are pretty well unavoidable with a fast prime. At large apertures, one needs to be careful of Bokeh chromatic aberration and purple fringing as they become obvious.

Thus, the AF-S Nikkor 35mm F1.8G DX is a lens that will not dismay. With all the features at such a reasonable price will make you forget the smaller lacking it has.

So this time, Nikon has managed to surprise us by producing the first genuinely inexpensive fast standard prime, which performs beautifully without emptying your pockets!

What’s in the Box?

  • Nikon AF-S DX NIKKOR 35mm f/1.8G Lens
  • Nikon 52mm Snap-On Lens Cap
  • LF-1 Rear Lens Cap
  • Nikon HB-46 Bayonet Lens Hood for AF-S DX NIKKOR 35mm f/1.8G
  • Nikon CL-0913 Soft Lens Case
  • Limited 1-Year Warranty

Nikon 35mm specifications:

  • Focal Length: 35mm
  • Max Aperture: f/1.8
  • Min Aperture: f/22
  • Lens Mount: Nikon F
  • Format Compatibility: APS-C
  • The angle of View: 44°
  • Max Magnification: 0.16x
  • Min Focus Distance: 11.81″ – 30 cm
  • Optical Design: 8 Elements in 6 Groups
  • Diaphragm Blades: 7, Rounded
  • Focus Type: Autofocus
  • Image Stabilization: None
  • Filter Size: 52 mm (Front)
  • Dimensions (ø x L): 2.76 x 2.1″ – 70 x 52.5 mm
  • Weight: 7 oz – 200 g


  • Excellent image quality
  • Quick and precise autofocus with full-time manual override
  • Attractive rendition of bokeh
  • Minimized flare
  • Reasonable price


  • A bit soft and low in contrast wide open
  • Bokeh chromatic aberration and purple fringing are evident at large apertures.
  • Lateral chromatic aberration is higher than compared to the standard 50mm primes.
  • Only compatible with DX-format


Summing it up, there might be some lacking in this lens, but it seems churlish to complain about them because of all the other quality feature it provides.

We are very thrilled to see Nikon finally introducing a lens that is both inexpensive, purpose-designed, and employs a winning combination of high image quality and large maximum aperture.

Thus, in our opinion, this 35mm F1.8G DX <- Affiliate Link 🙂 truly deserves a spot on every shooter’s shopping list.

Nikon 10–20mm review

Nikon has successfully created the most versatile lens for DX shooters by creating this AF-P DX NIKKOR 10-20mm f/4.5-5.6 G VR Ultra-Wide Zoom Lens. Along with a wealth of photography features, this lens gives users access to Explore Dynamic Landscapes and Discovering Macro Photography from a whole new perspective.

Nikon 10–20mm review

Nikon 10–20mm is a lens that provides users with the perfect tool ideal for taking both scenic and close-up photographs. It is also a piece of valuable learning equipment to refine your photography skills.

Nikon’s wide-angle zoom is a 15-30mm-equivalent focal length range lens that is ideally suited for capturing landscapes, architecture, cityscapes, and interior shooting. Even though it has a wide field of view, the Vibration Reduction image stabilization reduces the appearance of camera shake and leads to much sharper handheld shooting.

It also incorporates a pulse stepping motor AF system that helps both video and photo shooting because it has quiet, quick, and smooth focusing performance. Moreover, it has an optical design with three aspherical elements that control spherical aberrations and minimize distortion through the zoom range, thus resulting in enhanced sharpness and clarity.

There is also a Super Integrated Coating, which reduces ghosting and lens flare when shooting in strong light conditions.

Let us have a detailed look at Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6 G VR Ultra-Wide Zoom Lens, and find out about its worthy features:

Nikon 10–20mm – product overview:

As a proud owner of this Nikon Lens, I am pretty surprised to see its performance as it is the best that Nikon has to offer. And that too, in half the price.

So the low cost had me in doubts about practical functionality, but I am thoroughly satisfied after using it. It might not be super-fast, but most wide-angle lenses are not as quick as they are ideal for shooting landscapes, architecture, and macro photography. But when it comes to sharpness, size, and autofocus speed, this lens has got it all.

Let’s start with the Wide-angle zoom range this lens has to offer. Nikon designed DX-format F-mount DSLRs and featured a 15-30mm equivalent focal length range, which is quite awesome.

Once I received the lens, it was very light to hold and had a very classy feel. It was quite small and compact, and it weighs a little above slightly 8 oz, making it feels as light as a feather. I noticed that it has a 72mm filter thread, but this can be adjusted using the 72-100mm adapter ring.

Vibration reduction image stabilization

Despite the wide field of view, this lens also sports Vibration Reduction image stabilization for better handheld shooting. It may not be quite as important with a wide-angle lens as it is with longer focal lengths. It surely helps to reduce the appearance of camera shake and creates much sharper results!

Its design has three aspherical elements included in its optical design, which helps to minimize spherical aberrations and distortion and enhances sharpness and clarity.

In practice, this lens is extremely sharp and even wide open. Users will find it the sharpest in the f/8-f/11 range. Concerning autofocus performance, the AF-P pulse motor, as indicated by the “AF-P” in its name, makes use of stepping motors so that impressive smooth, quiet, and quick performance is delivered for both stills and video.

Moreover, there is an option for a full-time manual focus override, which is simple to operate. It also uses an internal focusing design, which only allows the internal lens groups to move during focusing so that the lens’s overall length is maintained during use, thus promoting faster-focusing speeds.

It also has a Super Integrated Coating on all its elements so that internal reflections, ghosting, and flare are suppressed. This improves contrast and color accuracy, especially in brighter conditions.

Wide compatibility

It is fully compatible with most of Nikon Cameras, such as D7500, D5600, D3400, D5500, D5300, D3300, D500, D5XX-, D7XXX-, D5XXX-, and D3XXX while it is Compatible with Limited Functions with cameras like D5, D850, D810/A, Df, D750, D5200, D7200, D7100, Nikon 1-series with FT1 adapter.

Just a reminder that most cameras will require a firmware update before compatibility. Additionally, it is great to use with tripods. Its construction and compact design make it ideally suited for a smaller-sized tripod. Users will not feel it unsteady like some larger lens, as it fits perfectly both in hand as well as a ton of tripods and is comfortable to use.

It is convenient to carry and doesn’t take much space, and is not much of a burden as it weighs less. Thus, it is perfect not only for everyday use, but it is also good for traveling.

When I tested the lens with smaller apertures, it successfully maintained its sharpness at smaller aperture settings as well, for increased depth-of-field and for trying out some fun “sun-star” effects.

Although the lens is at its sharpest at f/8 or f/9, it remains very sharp at f/10 and f/11. Even though it has some distortion at shorter focal lengths, especially when capturing buildings and other subjects with straight lines. But there is nothing that Adobe Lightroom cannot correct.

There is also a bit of chromatic aberration, but it can be easily corrected using Light room’s “remove chromatic aberration” feature. So, all in all, it’s an all-rounder lens that must be a part of every photographer’s kit.


  •  Light and compact
  •  Silent and quick autofocus performance
  •  Extremely sharp images
  •  Full-time manual focus override
  •  The internal focusing design promotes faster speed
  •  Super Integrated coating reduces flare and ghosting


  •  Slight distortion
  •  Produce a bit chromatic aberration
  •  Not very fast

Nikon 10–20mm specifications:

  • Focal Length: 10 to 20mm
  • 35mm Equivalent Focal Length: 15 to 30mm
  • Max Aperture: f/4.5 to 5.6
  • Min Aperture: f/29
  • Lens Mount: Nikon F
  • Format Compatibility: APS-C
  • The angle of View: 109° to 70°
  • Max Magnification: 0.17x
  • Min Focus Distance: 8.66″ / 22 cm
  • Optical Design: 14 Elements in 11 Groups
  • Diaphragm Blades: 7, Rounded
  • Focus Type: Autofocus
  • Image Stabilization: Yes
  • Filter Size: 72 mm (Front)
  • Dimensions: 3.03 x 2.87″ / 77 x 73 mm
  • Weight: 8.1 oz / 230 g

What’s in the box?

  • Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR Lens
  • Standard LC-72 72mm front cap.
  • Standard LF-4 rear cap.
  • HB-80 bayonet hood.
  • CL-1218 case.

To wrap up, this AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR Lens <- Affiliate link  🙂 is so far the best Nikon creation as it provides excellent performance and that too at a very affordable price.

With these advantages, it is a win for all photographers as it’s an extremely profitable investment. Not only will you enjoy clicking pictures with it, but the results will awestruck you and make it a worthwhile purchase. And the best part is that it neither heavy on the pocket nor in your backpack! No doubt Nikon has kept its quality maintained with this beauty as well.

So get going, and click some extraordinary images with the best lens in town!

Nikon lens review – Nikon AF-S 50mm F1.4 G

To see the world from a different view, one needs the right lens. The world of camera lenses is vast, so it can be a tough decision to get the lens that describes you best.

Making a wrong choice is easy enough; that is why it is crucial to judge the product before purchasing it. Well, let’s have a look at what Nikon AF-S 50mm F1.4 G lens offers.

You can expect exceptional image quality and edge-to-edge sharpness paired with high contrast from Nikon’s contemporary lens. It is excellent for portrait photography and video recording, as its high-quality lens can produce tack-sharp images and easily conquer low light environments.

If you want an ultra-fast lens that provides you with superior color reproduction and a standard angle of view, Nikon AF-S 50mm F1.4 is perfect.

Product overview

This beauty by Nikon can capture even minute details and can capture tack-sharp portraits anywhere. It has a Super Integrated Coating, which enhances light transmission efficiency resulting in superior color consistency and reduced flare.

It’s Aspherical Lens Element can virtually eliminate coma and other kinds of aberration, producing some of the most detailed images we have ever seen.

Pairing that with its Silent Wave Motor, you will have accurate, quiet, fast, and reliable autofocus performance together with the ability to override focus manually. The close focusing to 1.5 feet extends versatility and produces edge-to-edge sharpness.

As its front element does not rotate and the barrel also remains at the same length, it allows the use of angle-critical attachments.

This is a feature that is advantageous for shooting close-ups. Its unique nine-bladed iris diaphragm and a maximum aperture of f/1.4 leads to a remarkably smooth background blur within a comfortable working distance leading to a more natural response and remarkable Bokeh.

This is why it is an ideal lens for portraits as subjects can be easily isolated from the backgrounds giving it a dramatic composition.

The fast aperture of f1.4 also helps achieve shallow depth-of-field effects and a larger blur-circle, enabling you to work in low light.

The f1.4 lens can gather 16 times more light than f5.6 when zoomed-in. Focusing with this lens in very low-light can be pretty amazing: It can nail focus without a hunt or even a stutter.

If used with an FX DSLR, it can render a perspective that matches the human eye, which is utterly life-like. When used with a DX DSLR, its lens acts like a 75mm portrait lens, which leads to the subject filling the frame.

It has multiple focusing modes that allow you to quickly switch from automatic to manual with no time lag time between providing you with consistent output.

It is durable, lightweight, and has a rugged and robust construction, making it perfect for daily use and travel.

It can be used for multiple purposes like Landscape photography, Macro photography, in a low light environment, Night photography, Portrait, Special effects, Video, Action Photography, Weddings, Wildlife, and much more.

That is why it is a must-have for both professionals and enthusiasts.

Product specifications

Mount Type Nikon F-Bayonet
Aperture Maximum f/1.4

Minimum f/16

Motor AF-S (Silent Wave Motor)
Focal length 50mm
Lens element and lens group Eight elements and seven groups
Picture angle 46°
Minimum focusing distance 1.5 ft. (0.45m)
Maximum reproduction ratio 0.15x
Number of diaphragm blades 9
Compatible Formats FX, , FX in DX Crop Mode, DX, 35mm Film
Focus Mode Auto


Accepts Filter Type Screw-on
Filter size 58mm
Approximate dimensions: Diameter x length 73.5mm (2.9 inches) × 54 mm (2.1 inches)
Weight Approximately 9.9 oz./ 280 grams

What’s in the box?

  • 1 x Nikon AF-S FX NIKKOR 50mm f/1.4G Len
  • 1 x Snap-On front LC-58 lens cap 58mm
  • 1 x LF-1Rear lens cap
  • 1 x Bayonet hood HB-47
  • 1 x CL-1013 Flexible and Soft Lens Case


  • Smooth and quiet AF operation
  • Well-balanced design
  • Natural blur effect
  • Good image quality
  • Small and light
  • Weather sealing
  • Ultra-fast,
  • Value for money.
  • Small and lightweight


  • The lens is not zoom-able
  • Unable to provide close-up versatility
  • No image stabilization.
  • Slight nervousness in background

Thank you for taking out your reading so far. For me, this lens was a perfect choice, and I recommend it <- Affiliate Link 🙂 to those who want value for their money.

I would rate it 5/5 as it was up to the mark in all aspects as it provided me with superb corner to corner sharpness and excellent Bokeh.

The best of all things is that it is affordable and is accessible even for beginners. Hopefully, this product description will help you make the right choice. Kindly do provide us with your comments and feedback.

Have a nice time clicking your life through pictures!