Category Archives: Lens

Nikon 200-500mm

Nikkor 200-500mm review

The AF-S NIKKOR 200-500mm f/5.6E ED VR Lens from Nikon features a long, versatile zoom range characterized by a constant maximum aperture of f/5.6, which gives it consistent performance all through the zoom range.

Moreover, its optical design includes three extra-low dispersion glass elements that minimize distortion and chromatic aberrations, resulting in enhanced sharpness and color accuracy.

Nikkor 200-500mm review

Nikkor 200-500mm benefits from a Super Integrated Coating applied to lens elements and improved quality and clarity by lessening ghosting and flare.

Moreover, this superb telephoto zoom lens can bring in focus anything of your passion. Be it share stunning views of wildlife, birds, motorsports, performers, athletes, landmarks, or other faraway subjects, and this lens can capture it with perfection.

It features a fast f/5.6 constant aperture, leading to beautifully out-of-focus backgrounds and capturing fast-moving dazzling action sequences. It has an electromagnetic diaphragm that operates in sync for the fastest shutter speeds, and it also has Vibration Reduction image stabilization, which leads to sharp and steady images.

Let us look in detail at Nikon AF-S Nikkor 200-500mm f/5.6E ED VR Lens features to understand why this lens is so popular!

Nikkor 200-500mm – product overview:

The Nikon 200-500mm f/5.6E ED VR is designed to be compact, yet it doesn’t comprise its super-telephoto zoom capabilities. Whether the subject is far or close, fast or slow, it can be captured through this lens. This lens on 500mm can bring distant animals, birds, athletes, landmarks, scenery, and more into tight focus.

It adds a 1.5x zoom effect for an angle of view, making it equivalent to a whopping 750mm! Even though it has this extreme power, subjects as close as 7.2 feet away can also be focused on for detail-rich close-ups.

With its total weight of 2,300 grams, it is noticeably heavier than its counterpart, which weighs 80-400mm at 1,570 grams, and the Tamron 150-600mm f/5-6.3 VC, which weighs 1,951 grams, and the Sigma 150-600mm f/5-6.3 DG OS HSM which weighs at 1,930 grams.

But it is still lighter than other glasses weight-wise, such as the Sigma’s Sport version of the 150-600mm lens, which weighs 560 grams more. It is only slightly heavy but has tons of other features to compensate for it.

The fixed aperture of f/5.6

Even though it does not feature the same reach opportunities in the group of super-telephoto zooms, as it is the only lens with a fixed aperture of f/5.6, let’s not forget that the Nikkor 200-500mm f/5.6E VR can be done particularly well optically at the long end and can be used with teleconverters, while other lenses cannot.

So the 200-500mm f/5.6E VR surpasses the optical quality of other lenses, and many photographers opt for it instead of third-party options, majorly because of its autofocus reliability. While the rest of the 150-600mm lenses have reliability and quality assurance issues, Nikon is much better in that department and can be trusted.

Silent Wave Motor

Overall, Nikon’s beauty has quite a bit of modern optical technologies embedded into it when it comes to lens design. Although it is without Nano Coating, it does sport a Silent Wave Motor.

It has up to 4.5 stops of Vibration Reduction or image stabilization compensation, three extra-low dispersion lens elements, and an internal focus design.

Unlike Nikon’s previous old-style designed lenses, the mechanical diaphragms have been replaced by a much newer and superior electromagnetic diaphragm giving it a modern touch and feel along with faster and more efficient performance.

If you trust Nikon and you’re looking to invest in these great brand lenses, I just found a great resource for the Best Nikon Lens For Landscape Photography – you can read more here.

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Nikkor 200-500mm is an impressive product as Nikon was able to manufacture a constant aperture lens design, which very difficult for such a long zoom lens. It is the first of its kind as lenses of similar class we have seen in the past from Sigma such as 150-500mm f/5-6.3 DG OS HSM), Tamron like SP 200-500mm f/5-5.3 Di LD) and the newer 150-600mm variants as well as, all feature variable apertures from short f/5 to long f/6.3 end of the range.

Suitable with the 1.4x teleconverters

So the Nikkor 200-500mm is quite a catch! It is unlike slower lenses that are unreliable and have inconsistent focusing experience, especially in low-light situations. It faces no such issues as the Nikon 200-500mm f/5.6E VR has a brighter maximum aperture of f/5.6 at all focal lengths, making this the lens suitable to be used with the 1.4x teleconverters.

Next is the Silent Wave Motor AF system it sports, which helps it produce a fast and near-silent focusing performance, which is well-suited for image capturing and video shooting.

It can also be instantly overridden manually by turning off the simple manual focus ring. It is not only quick but also provides precise autofocus. Then there is VR (Vibration Reduction) image stabilization that minimizes camera shake effects by up to 4.5 shutter speed stops.

This further contributes to efficient and convenient photography in fast-paced situations and difficult light. Moreover, this lens also includes an electromagnetic aperture mechanism designed to offer greater exposure control stability. This results in better performance when shooting with faster continuous shooting rates.

Compatible with DX sensors

Not only can this lens be used with FX image sensors, but it is also compatible with DX sensors; the only difference is that there it will provide a 300-750mm equivalent focal length range.

Then the fixed f/5.6 maximum aperture leads to consistent performance all through the zoom range. Additionally, it has three extra-low dispersion elements that minimize color fringing and chromatic aberrations to a great deal, thus resulting in greater color accuracy and clarity.

A Super Integrated Coating has also been applied to all its separate elements to reduce internal reflections, ghosting, and flare. This leads to enhanced image quality like contrast, and color accuracy is improved even when working in bright light conditions.

There is also an internal focusing design that allows only internal lens groups to move during focusing so that the lens’s overall length can be maintained during use. This leads to faster focusing speeds.

There is Vibration Reduction image stabilization, which is complemented by a designated Sport Mode. This makes them well-suited to work in both low-light conditions and fast-paced conditions. Users would greatly benefit from this feature when shooting in conditions where panning and other lateral camera movements are common.

There is a rotating tripod collar that provides well-balanced support for photographing with the help of a monopod or tripod with both vertical and horizontal shooting orientations.

You can see this great lens tested by Daniel from the daniel life YouTube channel for a better understanding of what Nikon 200-500mm can do:

What’s in the Box?

  • Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR Lens
  • 95mm Snap-On Lens Cap
  • LF-4 Rear Lens Cap
  • HB-71 Bayonet Lens Hood
  • CL-1434 Semi-Soft Lens Case
  • Tripod Collar
  • Limited 1-Year Warranty

NIKKOR 200-500mm Specifications:

  •  Focal Length: 200 to 500mm
  •  Max Aperture: f/5.6
  •  Min Aperture: f/32
  •  Lens Mount: Nikon F
  •  Format Compatibility: Full-Frame
  •  Maximum Magnification: 0.22x
  •  Minimum Focus Distance: 7.22′ / 2.2 m
  •  Optical Design: 19 Elements in 12 Groups
  •  The angle of View: 12° 20′ to 5°
  •  Diaphragm Blades: 9, Rounded
  •  Focus Type: Autofocus
  •  Image Stabilization: Yes
  •  Tripod Collar: Removable and Rotating
  •  Filter Size: 95 mm (Front)
  •  Weight: 5.1 lb / 2.3 kg

So to capture astounding pictures comfortably and efficiently, invest in this lens. <-Affiliate Link 🙂 It has all the features that a professional photographer requires, and its performance is beyond par. Use it to add magic to your photographs, as Nikon never fails to impress!

It is indeed a telephoto lens that zooms like a pro!

Sony lens review – Sony SEL 18200 E 18-200mm F3.5-6.3 OSS

Introducing the SEL 18200 lens, this photographic lens was designed exclusively for use with the NEX series of cameras. So it will not work on other Sony camera models. Due to that quirk, it was released as an accessory for the Sony NEX-F3 mirrorless digital camera.

Before in my Sony A6000 camera review, I used to have a single lens for all the tasks. This Sony 18-200 mm is an excellent ”all around” tool, which performs better than the medium performance lens you can find on the market.

Sony SEL 18200 Review

Due to its simplicity and lightness, it is ideal for handling it all day, every day, making it the perfect companion for traveling and taking quick photographs. It is a small zoom, with a tremendous range, which will allow you to do almost everything.

You can shoot macro from more than 1 m distance, which is a great advantage when we talk about shooting insects – for example.

This zoom model is capable of covering a wide zoom range, focusing quickly and almost silently. Besides, it has optical stabilization so that you can hold it by hand in any environment, regardless of the lighting present.

It is also great for portraits with the zoom’s handy capability instead of moving yourself forward or backward.

It is wide enough for architecture and landscape – 18 mm.

High also for wildlife, good zoom (18 – 200 mm) powerful 11x magnification range.

Product overview

A plastic filter ring accompanies the structure on which the lens mount is made of metal. It has seven diaphragm elements, which are rounded, and these form the opening, thus managing to produce pleasant, unfocused backgrounds.

There is only a small control surface on the lens, which is located between the focus and the zoom rings and is only a tiny zoom lock switch since all the lenses’ functions are controlled through the camera. On top of that, there is no distance scale, depth of field scale, or infrared index marker.

A sophisticated and versatile zoom lens, the SEL18200 from Sony features Optical SteadyShot -OSS, with active mode image stabilization, which is unmatched when shooting movies as you move.

A detail worth noting is that the lens is too long, thereby causing the appearance of a shadow on NEX equipment with built-in Flash when the lens is configured at the wide-angle. The use of a parasol will solve this problem, or an external flash can be used.

The focus ring is made of plastic, accompanied by large ribs, 1.3cm wide. The moment the ring rotates, it will do so without making hard or soft stops, and when this happens, the camera will automatically switch to manual focus mode with 7X or 14X magnification.

The zoom ring may need to be adjusted at the start of product use.

This is the APS-C E-mount lens, so it matches the APS-C image sensor, do not buy it for a full-frame – professional digital cameras.

To use the most impressive performance in terms of the SEL-18200 lens, it can be configured and kept completely extended (ƒ / 3.5-ƒ / 4) to obtain sharper images, which present details of more excellent smoothness in the edges.

Stopping the initial movement does not offer any improvement for sharpness. The diffraction limit is set to ƒ / 8-ƒ / 11, but there is no noticeable decrease in sharpness until ƒ / 16.

Smooth defocusing

Rather than the standard polygon-shaped lens aperture, this lens has a 7-blade circular aperture for a more natural bokeh.

In the mid zoom range (35-70mm), the lens also produces sharp images, even those that are open, although in these cases, you get a bit more sharpness when you stop at ƒ / 8-11.

As for the telephoto range (100-200mm), a smoothness in the corners can be observed when used at its widest aperture (a comparatively slow ƒ / 6.3). The 200mm ƒ / 6.3 performance is particularly smooth in the corners. You will have to stop at a very slow ƒ / 11 to get moderate sharpness.

Despite that, something that is very common in terms of lenses of this caliber, the performance, when entirely stopped, is not surprising. Not bad at 18mm, but at 35mm and above, it gets quite smooth, and anything above ƒ / 32 is best avoided.

Refined optical performance

The extra-low dispersion glass elements grant superior color fidelity, contrast, and resolution, while the aspherical lens elements minimize the distortion.

Despite the sharpness and contrast qualities of the lens in terms of its photographs, it still presents some chromatic aberration signs. To be more exact, some blue stripes can be observed in some regions of high contrast. However, this can be adjusted and minimized when shooting between 50-70mm.

The dual control rings, which are rubber coated with raised edges, are responsible for adjusting the zoom settings and manual focus. Autofocus is also available if you want to use it.

The ring offers 90 degrees as far as turning action is concerned. To travel in this way, the available range of focal lengths. There is a significant extension of the lens since, when it approaches 200mm, the glass adds 3″ to its total length, almost doubling its size.

Zoom shift is not an essential factor with this lens, but Sony performed a smart move, including the zoom lock switch, to achieve that way, placing the glass fixed in the 18mm position.

Fast-focusing

The lens has an internal focusing mechanism, which means that the lens barrel does not move and has a more compact design, faster autofocus response, and reduced minimum focusing distance.

The E 18-200mm, despite being an update of the previous version that remains on the market, this model can be differentiated because it sacrificed the Active Shot video stabilization function, therefore achieving a smaller body and light. Camera operators will habitually think of other standard models, but it manages to fulfill its objectives excellently despite its simplicity.

The lens features a black finished body, with the outer shell made of lightweight aluminum. It measures 9.6cm long and 6.8cm wide, whose weight does not reach a kilo, smaller and lighter than the previous silver and black version.

Lens specifications

  • Mount and format: Sony E-mount with APS-C format
  • Focal length: 18 – 200 mm
  • Minimum aperture: 22 – 40
  • Maximum aperture: 3.5-6.3
  • Aperture blades: 7
  • 35 mm equivalent focal length (APS-C): 27-300 mm
  • Minimum focus distance: 0.3 m for wide and 0.5 m for tele
  • Lens groups/elements: 12/17
  • Angle of view (APS-C): 76°-8°
  • Image stabilization: Optical Steady Shot with Active Mode
  • Filter diameter: 67 mm
  • Dimensions: 75.5 mm x 99 mm
  • Weight: 524 g

In the box

  • Hood
  • Lens front cap
  • Lens rear cap

Considering the three different versions of the Sony 18-200mm lens <-Affiliate link 🙂 category for sale, the 18-200mm F3.5-6.3 OSS version is the most popular and sought after. It is the cheapest of the three models, the smallest and lightest model, and looks better on your camera than the first version.

I used this lens for about two years with my ex-camera – a Sony A6000. This is a compact and robust lens with high zoom and image quality. In my gallery, you can see many examples because more than 95% of those shots are taken with this lens on Sony A6000.

It is an excellent product, although it loses some quality as soon as the entire zoom is used, both in resolution and in the ability to capture light. On-camera fixes straighten the distortion automatically, and as long as you work in daylight, you can shoot with this lens all day and never have to change it for a telephoto shot.

This product is what all those dedicated photographers need, who want to have an all-in-one lens, which does not weigh much and can quickly carry out its job. The price is comparatively high, but it is the cheapest in other existing models.

… but let me show here two of them, so we keep it more uncomplicated – a landscape in the mountains near Buenavista Del Norte in Tenerife

…and a macro picture

I specifically chose a butterfly in action so you can see what Sony A6000 with this lens can do on a moving subject.

Conclusion

The images are excellent; the video is fine. A unique “off-road” product, simple but that fulfills its objective and makes most photographers adore, as long as it is not a perfectionist photographer since then, you will want something more designed. Still, it delivers on what it promises.

I hope you enjoyed my Sony lens review and that you now have a better idea about this lens. If this is something you are looking for, I am here to tell you that this single lens will do the ”all around” job with great results – I test it for almost two years, shooting thousands of pictures.

Please comment below with anything you want to add or ask, and we will move on from there. I am always happy to help and to improve myself, so go on – test me  🙂 Thanks for reading through the end!

Canon 10-18mm Review

Canon EF-S10-18 mm f/4.5-5.6 IS STM Lens is known to be the world’s first ultra-wide lens that has a reasonable price. This lens works compatibly on a Canon APS-C DSLR camera. It is not known for its value for the price, but it is also known for being lightweight, making it very portable.

This lens is optically superb, as it is the sharper lens available in the market. If you would compare, it is way much better than a Canon EF-S 10-22mm in terms of its performance, plus it is twice, much cheaper. People labeled this product as the more affordable alternative for the 10-22mm lens.

Canon 10-18mm Review

Canon has continuously supplied APS-C users’ needs with an ultrawide classic EF-S lens for about a decade now. They have been consistent in giving excellent service, having foresight on what photographers will need in the future.

This lens undoubtedly is a welcome edition from Canon company that can shoot landscapes and architectural images. It has captured the attention of every photographer despite quite numerable glasses within the same range.

Canon 10-18mm Specs:

  • Product Brand: Canon
  • Product Dimension: Length of 74 mm, Width of 81.5 mm
  • Product Weight: 230g
  • Color: Black
  • Focal Length: 10mm – 18mm
  • AF Motor Type: STM
  • Aperture Range: f/4.5-22 and f/5.6-29
  • Number of Aperture blades: 7
  • Compatibility: APS-C format cameras

Product Overview:

The Canon 10-18mm lens is the first of Canon products with an ultra-wide range lens. It has an added Image Stabilization (IS) to prevent capturing photos blurry and low-quality images. It is by far the sharpest, small, light but less expensive lens Canon has produced.

This product is highly portable as it has a dimension of 81.5 mm in length and  74 mm wide. Also, it is lightweight as it weighs only 230 grams.

It has a plastic-mount lens, but it can’t break easily as some assume it to be, but mind you, it is very durable. It has a beautiful black finish and a rubber-coated zoom ring. This lens has a robust and compact built.

The zoom action is quite noticeable since it can zoom smoothly without any wobbling from the lens’s inner barrel. Seeing on its external features, it has an autofocus (AF) and manual focus (MF) switch and image standardization (IS) toggle switch. It is firm, and the switches do not move without you being touching it.

You can also notice that this lens, looking at its external appearance, doesn’t have any markings indicating its focus distances or field-scale depth. It has only a simple marking that indicates focal length from 10mm to 18mm. Other observable things on the product are the branding and model name labels.

Stepper Autofocus Motor

Canon has incorporated the product with Stepper Autofocus Motor (STM) for faster Autofocus if you are doing video coverage. On the other hand, you can also set it to manual focus if you are keen on self-adjusting.

You can easily override the system by picking a manual focus setting and note that manual focus for this lens is electronic and not mechanical. It is a drawback for this lens as it lacks a tactile resistance because of its smoothness, which the users are not accustomed to, unlike mechanical focusing.

You can readily achieve smooth focusing, and landscape photographers will appreciate it. It doesn’t affect the images with any graduate ND filters or polarizers on the lens when turning the focus ring.

Although Canon has cut this lens’s cost down, it doesn’t mean that it is cheap. Unlike any other glass, composed of an all-metal and weather-sealed lens, this is specifically carbonated poly plastic to attain its desired weight with a plastic mount and plastic barrel.

They make this product with an ideal material composition to serve its reason for which it is built, giving ease and comfort to photographers while enhancing their photographic experience. Canon has saved a lot of weight on its composition.

For APS-C format

It is best to be carried on tours and travels outside the country, or only using it on the outdoor activity as this is exceptionally portable. This lens is for APS-C format Canon cameras.

It perfectly fits Canon models like Canon EOS 4000D, achieving an exceptional balance and an added weight on the photographer’s hand to hold firmly and steady the camera.

The lens interior optical layout includes one ultra-low definition (UD) element for chromatic aberration control, a spherical component, and other additional elements. These elements are useful to be understood as it features a multi-layer lens coating to improve basic settings of contrasting, color balancing and at the same time reduces the ghosting of image.

There is a seven-blade circular aperture diaphragm that is useful for smooth background blur.

Handling and Features

Canon EF-S 10-18mm f/4.5-5.6 IS STM has caught the eyes of every. It had provided a wide field of view, and it is only for EF-S lens compatible Canon cameras. The autofocus feature is rapid and precise.

It is very unlike any other Canon USM lenses where full-time manual focus override is not possible. It has an option to set it up once and locked the glass into that setting. The manual focusing is lightly damped, but it is not an issue if you are taking a field with a depth of imagery on it.

Note that focusing is performed internally in the lens, meaning the 67mm filter thread doesn’t move. Thus, making this lens to be suitable for using polarization and graduate filters.

Performance

The lens at a maximum aperture has an outstanding quality in the center of the frame. The edges exceptionally display a clear image and frame it to an excellent level.

The desired sharpness can be achieved right in between the options of aperture f/5.6 and f/8. Adjusting the lens to 14 mm, the center frame’s sharpness at an optimal aperture remains excellent.

It is balanced and consistent throughout the frame. Next is the 18mm settings, in which the performance doesn’t significantly vary compared to the other focal lengths. The sharpness that it displays is pretty consistent at the optimal aperture.

Peak sharpness can be achieved at aperture settings of f/8, and it is consistent throughout the frame.

Chromatic aberration for this lens is well managed throughout the zoom range. Still, it is essential to disclose that at 10mm focal length. There are noticeable three-quarters of pixels exceed on the outer edges.

This minor difference can be overlooked since it can be barely visible, especially when taking images with high contrast settings. You can also encounter mild flares on the pictures, primarily shooting with the sun in the frame. Note that no lens hood is included upon purchase. You must buy it separately.

Image Quality

The 10-18mm focal length zoom shows a visible barrel distortion especially taking at a wide-angle. Although this can be ignored, as you reduce the zooming feature, it progressively reduces the distortion.

You visibly see also the shading on wide-open 10mm focal length settings. The minor fall-off in the image’s corners can be observed, but it can be fixed in image post-processing using photo editor software.

This lens has proved to be consistent in its imaging performance as you can look at the image. Whenever you capture beautiful scenery, the center’s sharpness is almost the same, with the edge across in a full-zoom range.

Pros:

  • It gives great value for your money
  • Exceptionally light and portable
  • Smooth focusing
  • User Friendly

Cons:

  • Hood is not included in the package.
  • Minor color fringing on the edges

Conclusion

The Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens has proven its significance among the best performing Canon lenses in the market. It has an ultra-wide-angle zoom lens and has image stabilization to optimize and achieve high-quality images.

It has a smooth autofocus accuracy and competes with other expensive lenses available in the market. Considering the EF-S 10-22mm, which is a costly lens that has the performance almost the same as the EF-S 10-18mm.

This lens’s coverage encompasses a wide range of applications, such as capturing vast landscapes, huge buildings, and large group shots that you don’t necessarily step back to get the full view.

You’ll respect its optical quality and presence of STM feature for movie shooters. Plus, it is the most affordable lens available in the market. You can never be wrong if you choose to purchase this one. <-Affiliate link 🙂 This lens offers the best value for money.

Canon 24mm lens review

Reality speaking, a camera without a lens is useless to a photographer. The significance of the glass on a camera brings an added vibrance and emotion to the output. Therefore, it is vital to acquire a high-quality lens to help you capture great photos, even with a low-quality camera.

On the other hand, a low-quality lens makes mediocre quality photos.

So, what is a camera lens in a more straightforward term? It is a tool to bring light to a fixed focal point in your camera. The digital camera lens directs the light to a digital sensor that captures the image.

You may wonder about the shapes and sizes, but the lens came with a convex or concave shape and made up of a glass plate series. The camera lens is the right variable that determines the quality of the final photo.

Canon 24mm lens review

As we want you to level up your photography sessions and projects, we have done this review to consider buying the right lens available in the market. To know the complete details, please read further below.

Canon EF-S 24 mm Specifications:

  • Product Brand: Canon
  • Product Dimension: Length 11.8 cm, Width 11.2 cm, Height 11 cm
  • Product Weight: 127 grams
  • Color: Black
  • Aperture: Minimum of f/1 and maximum of 1
  • Focal Length: 24 millimeters
  • Mounting Type: Canon EF/EF-S
  • Optical Zoom: 0.27X

Product Overview

Canon is one of the leading companies known for its high-quality products for photography gadgets and accessories. One notable product available on their lists is the Canon EF-S 24 mm f/2.8 STM lens.

This lens first hit the market in the middle of November 2014, and you can find a significant resemblance to its predecessor EF 40 STM in an APS-C format. They have upgraded this product as it has a more extensive focal length and improves mechanical and optimal performance.

This lens is small in its size, with a dimension of length 11.8 cm, width 11.2 cm, and height 11 cm. It weighs around 127 grams.

It is well-made with a non-weather sealed body construction. It is built of engineering plastic with a standard metal mount.

You may notice on its physical features. It has a single switch extending the inner lens barrel and a small MF ring. You see, the MF ring has a little stagger on its design.  This lens is a new wide-angle prime pancake lens in the market in the series of Canon APS-C DSLR cameras.

Considering the specification of 24mm focal length and has a micro-stepping driving tool for smoother and quieter operation. We can now have a continuous AF while taking video coverage.

For Canon APS-C cameras

This lens comes with a deep black color finish suitable for your Canon APS-C cameras.  It may be small, but it has a fantastic performance, a super sharp reception, and has broader coverage. It has a fast f/2.8 speed useful for shooting in a specific environment such as dim light making your viewfinder brighter.

It has an aspheric lens element, and this maximizes the lens arrangement to minimize ghosting and flare. Also, this has a remarkable circular seven-blade aperture and has a minimum focusing distance of 16cm.

You may be underestimating its capacity, but mind it has exceptional quality. Canon EF-S 24 mm has a smaller cap than any other lens caps.

This lens maximizes the new technology autofocus motor usage, which is widely known as a stepper motor (STM). What is its effect? It will result in quieter AF and makes the lightest humming sound as it adjusts its focus. You must not miss this lens if you are fond of shooting videos with your DSLR.

Some lenses have an image stabilization feature, but Canon EF-S 24 mm f/2.8 STM does not have it. No wonder this lens does not have an image stabilization feature since it is only a small glass, and for the price range, what can you expect?

Wide aperture

But the performance for this lens has far outweighed its value for the money since it has a wide aperture, which allows you to take excellent handheld shots at a low light level.

The image quality for Canon EF-S 24 mm f/2.8 is outstanding. With the extensive aperture feature for this lens, you can be sure to capture images nicely and sharply. If you are going to adjust the settings to a narrower aperture, it affects the image quality in sharpness.

We mean by sharpness is the image peripherals, in which most photographers are embarrassed since the corners appear to be slightly blurred. The color quality is also affected as some of the colors will be in one monotonous tone other than it is somehow another shade of a particular color.

It is entirely accurate in taking shots of leaves under the tree. The green foliage must appear in different shades since the sunlight brings variation as it hits the object.

The nearest comparison for this lens is the Canon EF 40mm, which has somehow has identical functions and features. But how does this lens differ from the latter? For numerous tests in taking shots of different objects, the EF 40 STM has a sharper image quality compared to EF 24 STM.

It must not surprise us since 40 STM is a full-frame lens, hence depicts the image with clarity. But EF 24 STM has a real improvement from the Canon series of the lens as it has been found to have the most significant difference in vignetting.

Negligible chromatic aberration

It has improved on its corner shading as well as the amount of flare. It has a negligible chromatic aberration on the image corners and has a strongly contrasting subject on the middle portion and the corner portion of the image frame.

Canon EF-S 24 mm Features:

Fixed focal length

The Canon EF-S 24 mm f/2.8 STM has a 24mm fixed focal length lens.  The EF-S qualification assures you that this lens provides an image circle that is large enough to cover only an APS-C sensor.

The cameras compatible with this type of lens include Canon Rebel models, the D series, and the 7D series. The cameras mentioned have a 1.6x FOVCF that optimizes the angle of view from a 24mm lens.

Wide aperture

Canon EF-S 24 mm with an added STM makes a multipurpose capability, including the relatively wide f/2.8 aperture.  This extensive aperture feature is enough reason to include your primary tools for getting a good shot. It is best to use, especially for night sky photography and capturing indoor motions.

Narrow focusing

This lens has a very narrow focusing ring. The auto-focusing feature of Canon EF-S 24 mm f/2.8 zoom operates very fast, as it takes approximately less than 2 seconds to lock on the subject. All the performance may vary depending on the light settings in a particular location.

Vibrant chromatic aberrations

You can notice it as it typically appears as purple or blue fringes in a contrast edge. Despite the challenges taking those hard edges, this lens can pretty handle it well without color discrepancy.

Double macro

This type of lens has a 24mm f/2.8 STM, which serves as a macro lens that can be used to take excellent close up shots. Canon EF-S 24mm f/2.8 STM has a close-focus point 16cm from the sensor plane and has a maximum reproduction ratio of 0.27x. It is pretty impressive in comparison to other lenses on its range.

Bokeh feature

You may be very familiar with this, but for the sake of beginners, Bokeh is a term used for taking shots that blurs the surrounding of the subject. When you take a picture of a specific scenery, the ones you focus on will come out clear while the surrounding objects or background automatically blurs.

It is described in many categories, but the few qualitatively known terms are smooth, creamy, harsh, etc. This lens has an iris diaphragm incorporated with seven rounded blades for a pleasing rendering of the blurry highlights.

Pros:

  •  Compact lens
  •  Sharp image quality
  •  Exceptional wide-angle view
  •  Silent STM focus motor
  •  Good value for the price

Cons:

  •  No image stabilization
  •  It takes time to do manual focusing experience.
  •  Vignetting at f/2.8

Conclusion

We have concluded that this product has exceeded its performance for the price with all the details listed above. Canon has produced a great lens that every photographer would love. It may be pretty basic to be attached to your digital cameras, but it gives you what you need to start capturing fresh and vivid images.<-Affiliate link 🙂

The Canon EF-S 24mm f/2.8 lens is impressively small and very lightweight. Rest assured that this lens will get the job done, and it gets the job better than any glass on its range.

Canon macro lens review – EF S 35 mm f 2.8

A camera lens can be a massive help in making your projects look more creative, mainly situated in the industry of digital photography. Although there are many kinds of lenses available in the market, it must be confusing on your part to pick the right one for your day to day works.

You must know the details of the work you do most often or, if you got a project, what variables to consider to choose the right lens to use. In selecting an appropriate lens, it can be a bit complex procedure since you will consider many things.

Such as size, weight, lens speed, image quality, and most especially the cost, which is a factor that can significantly affect your choice.

As well we all know that everyone has limited resources, and you can’t pour out cash for just one aspect of the project and not considering other conditions.

Types of lenses

You must know that there are two types of lenses, the zoom lens and the prime lens. The zoom lens is where you can adjust the focal length for a certain period of range. One of the notable benefits of a zoom lens is that you can quickly achieve different compositions and perspectives in one positioning.

But this doesn’t mean that you no longer change position. Zoom lenses increase your flexibility. On the other hand, prime lenses have a fixed focal length and don’t exhibit a zooming feature. Considering the benefits of prime lenses, first in the line is the cost, which is considerably lower cost compared to the zoom lens.

The other benefits are its weight and speed. Although the prime lens is cheaper than a zoom lens, it does capture good quality images. This type of glass offers a better light-gathering ability; hence it is an excellent application even to low-light setting photography.

In this review, we will tackle one of the prime lenses available in the market. It is a cost-efficient lens and has a lot of value for your money. To know the full details, kindly read further below.

Canon EF-S 35 mm f 2.8 Specifications:

  • Product Name: Canon
  • Product Weight: 190 g
  • Product Dimension: Length of 69.2 mm and width of 55.8 mm
  • Product Color: Black
  • Minimum Aperture: f/32
  • Maximum Aperture: f/2.8
  • Focal Length: 35mm
  • Minimum Focus Distance: 13 cm
  • Angle of view: 42 degrees
  • Lens Mount: Canon EF-S
  • Format Compatibility: APS-C
  • Other Features: Image Stabilization, Auto Focus

Canon macro lens review – EF-S 35 mm f 2.8

Canon EF-S 35mm f/2.8 Macro IS STM lens is a unique lens since, among other Canon EF-S range, this is the first one. This lens features an upgraded technology that can illuminate close-up subjects. It is called Macro-Lite Technology.

It is a very tiny standard macro lens and has a dimension of 69.2 mm in length and 55.8 mm. It’s pretty lightweight as it weighs around 190 grams. This lens has a minimum aperture of f/32 and a maximum aperture of f/2.8.

It is undeniable based on the review titles themselves. This lens has a focal length of 35 mm.

Considering that this lens has STM or stepper motor, it enables it to have a quick, quiet, and smooth auto-focus. It is a handy feature if you venture for a video coverage project that makes your output appealing.

Not weather sealed

EF-S 35mm macro lens is not a weather-sealed lens. Thus you must take a considerable amount of care when taking it out in a rainy weather condition, wet locations, or dusty areas, as it may easily damage the lens.

This lens has a 30mm working distance between the end of the lens to the subject at its minimum focusing distance. When we talk about working in short lengths, lighting is the number one factor that makes every shoot challenge.

But, Canon has foreseen this issue and addresses it directly by incorporating a pair of continuous circular LED lights, known as Macro Lite.

Macro Lite settings can be achieved either by shining the left-hand side or right-hand side of the image, giving you full control of the image you want illuminated. Super close objects may tend to blur the surrounding environment, but this lens will still make explicit imagery while capturing the subject.

It is not limited to wildlife photography, but you might want to consider this if you are up to taking photographs of products such as jewelry or food. Macro Lites, whenever you shoot at portrait distances, this will have no difference in the image.

This feature will take no effect beyond 3 feet distance. Plus, this has a super spectra coating, which is very useful to eliminate ghosting and flare. The utmost goal is to have a realistic expectation of the incoming amount of light.

Great for macro

It is suitable for macro photography, wherein you can get close to a particular subject and get the full details. Macro photography is taking a small object either in a studio or outdoor environment and magnifying it sufficiently.

This type of photography includes capturing bugs, flowers, etc. Magnification for this photography may be life-size or more magnificent.  It is close-up photography. It will particularly help you since Canon EF-S 35mm f/2.8 Macro IS STM lens has a 1.0x magnification, given a distant focus range of 0.13 meters.

It has an optical image stabilizer that includes a Hybrid IS and a seven-blade circular aperture. The image stabilizer can be switch on or off by turning the OIS to shoot images without shaking or blur entirely.

If you are working with a tripod, then image stabilization may be unnecessary, so you should be turning it off instead. There is also a button intended to switch on the front macro lites. Remember that it won’t take effect as long as the camera is in sleep mode.

The image quality for 35 Macro lenses is exceptionally for its price. It gives a lot of value for providing sharp image results. The edges have a minimal chromatic aberration, primarily working on outdoor locations.

Good contrast and color rendition

Canon EF-S 35mm f/2.8 Macro IS STM lens’s flare resistance is quite good and implies minimal ghosting or veiling.  You may notice if you took shoots using this lens, it has a nice contrast and color rendition at all aperture values.

It’s hard to find a versatile lens like this, as you can shoot using this lens in various conditions. Plus, this is good for bokeh rendering whenever you want your subject to be highlighted and blur its surroundings.

Although this is branded as a macro lens, it can function as a general lens for any subject, depending on your preference. This lens can be easily attached since it has an indicator on the back with a white square, fitted perfectly to a lens mount. It has a white marker compared to a red one since it is Canon’s mark that this is an EF-S type of lens and not EF.

STM lenses for cameras are built primarily to enable autofocus. This feature of autofocusing the subject for this lens is swift and silent if you work with a few inches away from your subject.

Canon EF-S 35mm lens is what most people need in taking pictures for documentation and any other projects. But if you like to customize your shot depending on how you want it to look, you can switch the adjustment ring from Autofocus (AF) to MF, meaning manual focus.

MF settings give you full control over where you want to focus your camera, as the manual focusing system routes through the focus motor, and the motor will itself move the elements.

Quick focus

STM initially wants to achieve smoothness of focus over speed, but the Canon EF-S 35mm lens is exceptional in focusing very quickly. The focusing ring allows you to have a fine-tuning precision while holding the camera up to your eye.

Moreover, it is difficult to achieve exact focusing because of its limited features. Still, it is not too bad because you can make good graphic results without any hard stops.

Canon EF-S 35mm f/2.8 Macro IS STM lens is designed mainly for snapshooters and photo enthusiasts who use Canon’s cropped-sensor cameras (APS-C). With an APS-C format camera, 35mm focal length gives a wider-angle view and shows a natural photography perspective.

It has a 1:1 macro reproduction for close-ups that can be used for portraits, events, and documenting a day to day life. This lens comes along a small bag fitted for storage and is readily portable, taking it into different locations.

Pros:

  • Very sharp image results
  • Useful in lighting the object
  • Smooth bokeh feature
  • Fast and smooth focusing feature
  • Useful manual focusing override

Cons:

  • No enough space between the lens and the subject
  • Autofocus tends to stick.

Conclusion

It is a challenging thing to find any prime lenses that maximize the value of your money. But Canon has paved its way to giving users their needs through Canon EF-S 35mm f/2.8 Macro IS STM Lens. It has a lot to offer both in sharpness and superb additional features.

You can never go wrong in your macro photography, as this will help you make high-quality images and improve good lighting via Macro Lite. You should include this in your kit <-Affiliate link 🙂 to level up your service.

Tamron SP 150 600mm Review

People interested in the camera and its lens are well aware of Tamron and its complete and versatile range of optical solutions and lenses. When Tamron introduced its inexpensive and sharp G1 lens known as Tamron SP 150-600mm f/5-6.3 VC a few years ago, it shook things up.

G1 lens is known for surprisingly sharp optical results, but its user faced specific issues such as autofocus freeze-ups, long barrel extension, and lack of weather shields.

Tamron G2 SP 150-600mm is the successor of the G1 lens. It is launched with brand new features as well as resolved many issues faced in its predecessor lens.

This new generation telephoto lens of Tamron’s powerful 150-600mm lens featured enhanced quality aspects with the latest manufacturing technologies. It was engineered to deliver superior optical performance, faster AF, outstanding Vibration Compensation (VC), and powerful do-everything zoom.

Key features of Tamron G2 SP 150-600mm:

A lot of additional features enhanced this lens’s versatility, and it also enables us to capture moments with more sharpness and accuracy. The Tamron 150-600mm G2 is offered for Canon, Nikon, and Sony mounts.

Build quality:

Comparing G2 to its first version, it is built much better. This lens is a well-built version with its optical construction containing 21 elements in 13 groups. It has nine blades rounded aperture. This lens has a metal feeling and looking exterior giving a more comfortable grip, but it can be easily removed. Another new feature in G2 is an improved tripod mount, which can be entirely removed if needed. Four switches are near the base.

Tamron also included moisture resistance into the Tamron 150-600mm G2.

The lens’s front element is coated with a protective fluorine coating that is water and oil repellent, providing extra safety.

Like its predecessor, this G2 lens extends on zooming. There is a locking switch near the zoom ring to prevent ‘lens creep.’ Beside this zoom lock, there is also ‘Zoom Flex-Lock.’ It can be used to lock the zoom in place, keeping you at a single focal length. When zooming is not needed, this can be very handy.

Vibration compensation feature (VC):

G2 SP 150-600mm offers three image stabilization modes:

  • Mode 1 It is the standard mode.
  • Mode 2 for shooting while panning mode
  • Mode 3 which doesn’t employ any VC until just before the image is taken.

The VC is equivalent to 4.5 stops. This VC effectiveness is based on image stabilization performance levels established by CIPA (Camera & Imaging Products Association) when using in VC MODE 3. Common issues faced while using a long telephoto lens is getting blur results because of shakes.

Improved VC features minimize image blur because of shakes in this lens. In generation 2, VC also enhanced the freedom of hand-held shooting at slower shutter speeds.

Improved Ergonomics:

This lens is very user friendly and ergonomically fit when one is using it. The lens’s front portion is composed of curved surfaces that comfortably fit in the photographer’s hands. Smooth curves are designed on the lens hood, allowing easy attachment and removal. Zoom locks give ease in operation.

It also features a novel design for the switches, easy-to-read characters, and metal finish, making smooth handheld shooting possible.

eBAND Coating:

eBAND Coating is used in this lens to eliminate any ghosting and flare in an image. This coating offers higher light transmission. It also adds a significant improvement in the anti-reflection characteristics of the lens.

Minimum object distance:

Tamron reduced MOD to provide an optimum tele macro photography experience. It is reduced to 86.6 in G2(2.2m), compared to 106.3 in (2.7m) for Model A011. Whereas Maximum Magnification Ratio of G2 150-600mm is 1:3.9

AF Speed:

AF speed is enhanced in this lens to deliver perfect results even with faster moving objects. The Model A022 is equipped with a USD (Ultrasonic Silent Drive) ring-type motor that delivers excellent responsiveness and control.

Full-time manual focus:

While shooting with AF, AF speed is made more responsive, with the full-time manual focus override. This allows making instant fine focusing adjustments manually, without the need of switching between modes.

Electromagnetic Diaphragm System:

This system can be used in this Canon mount lens, which was previously used only for the Nikon mount lens. More accurate diaphragm and aperture control is possible via this feature because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.

Teleconverters:

Two exclusive teleconverters are introduced in this lens. These teleconverters offer 1.4x and 2x magnification and provide a maximum zoom range of up to 1200 mm. These also extend the focal length of the master lens, making it possible to take pictures in farther ultra-telephoto ranges.

Tamron 150-600mm specifications:

  • Model: A022
  • Focal length: 150-600mm
  • Maximum Aperture: F/5-6.3
  • Angle of View (diagonal): 16°25′ – 4°8′ (for full-frame format)
  • 10°38′ – 2°40′ (for APS-C format)
  • Optical Construction: 13 groups containing 12 elements
  • Minimum Object Distance: 2.2m (86.6 in)
  • Maximum Magnification Ratio: 1:3.9
  • Filter Size: φ95mm
  • Maximum Diameter: φ108.4mm
  • Length:260.2mm (10.2 in) Canon
  • 7mm (10.1 in) Nikon
  • Weight: 2,010g (70.9 oz.) Canon
  • 1,990g (70.2 oz.) Nikon
  • Aperture Blades: 9 blades in circular diaphragm
  • Minimum Aperture: F/32-40
  • Image Stabilization Performance: 5 stops (CIPA Standards Compliant
  • If using in VC MODE: 3
  • (For Canon: 5D-MKIII is used / For Nikon: D810 is used)
  • Standard Accessories: Lens hood, Lens caps, Lens case
  • Compatible Mounts: Canon, Nikon, Sony (Nikon Z compatibility, Canon EOS R compatibility)

Pros:

  • Refreshed optical design
  • eBAND coating (for eliminating ghosting and flare)
  • Fluorine coating (water and oil repellent)
  • Electromagnetic Diaphragm system (compatible with Nikon cameras)
  • Moisture-resistant construction (weather-sealed lens)
  • Tripod
  • Tamron’s TAP-in console
  • Ultra telephoto zooms
  • Improved ergonomics
  • Enhanced VC and faster AF
  • Three LD lens elements (to eliminate axial and transverse chromatic aberrations)
  • One-shot AF accuracy
  • Smooth focal length ring with proper dampening
  • MFD (Minimum Focusing Distance) is longer
  • Light and small lens than other lenses in the 600mm category
  • Flex zoom lock, Zoom lock switch
  • Teleconverter
  • USD (Ultrasonic Silent Drive) ring-type motor. More control and better responsiveness
  • Compatible with two exclusive Teleconverters
  • Internal focusing (IF) system

Cons:

  • Optical image stabilizer unavailable for Sony version
  • Focus freezing problems
  • Weak edge performance (at wide and telephoto extremes)
  • Autofocus operation limited by Teleconverter use
  • Narrow aperture limiting performance of Teleconverters
  • 1.4% pincushion distortion

Final verdict:

Compared to its predecessor first generation lens, there are significant improvements in this G2 lens. This lens addressed the number of handling issues of the G1 telephoto lens and improved its features besides adding new features. Tamron G2 SP 150-600mm F/5-6.3 Di VC USD A022 can be an excellent choice for wildlife, sports, and architectural detail photographers.

This lens features series of features, including upgraded optical construction with 3 Low Dispersion lens elements, nine rounded aperture blades in the iris diaphragm, moisture seal, a metal lens barrel, a new zoom lock mechanism, revised Vibration Compensation (VC) system, removable rotating tripod collar, two optional teleconverters, and extended lens reach up to 1200mm.

There is no hesitation in highly recommending this lens, keeping in mind all these features.

The Tamron SP 150-600mm <- Affiliate Link 🙂 is cheaper than its rivals and Canon and Nikon’s closest alternatives. On ground reality, not that much cheap lens but good quality over 36Mp full-frame sensor, good image stabilization, excellent results with 1.4x teleconverter, weather sealing, quiet and precise AF operation, maximum magnification of 1:3.5 in MF, and all other traits make it a great lens to add in your lens gallery.

Tamron 18 400 mm review

Tamron keeps coming on with brand new optical formulas and solutions for photography lovers. Its lens always stands out for its unique features. Lens gallery of Tamron includes a wide range of lenses for both full-frame and APS-C SLR’s including comprehensive zoom designs for wide-angle, telephoto, and superzooms.

Great features such as a high level of flexibility, compact size, and low weight, make these lenses particularly suitable for daily use as well for professional operation.

Tamron 18-400 mm product overview:

In the world of the telephoto lens, this company recently came up with the world’s first ultra-telephoto, the APS-C format. Tamron explained it as all in one zoom lens for APS-C format. It has an extensive and ultra-telephoto range equivalent to 620mm in the 35mm format. 18-400mm VC provides exceptional optical solutions across the entire zoom range from wide-angle to ultra-telephoto.

The core feature of DSLR is that it supports an interchangeable lens, yet people look for a single lens for it, which can provide all in one result. If you are one of those people, Tamron 18-400mm F/3.5-6.3 Di II VC HLD <- Affiliate Link 🙂 can be your solution. It gives you Canon and Nikon mount options, fairly wide-angle coverage, super-telephoto focal length, water-resistant for your lens, and much more.

18-400mm is super convenient for travel photography. You don’t need to carry a bag full of lenses for your camera while traveling. This lens will cover much of the focal lengths/zoom ranges you desire to capture. It is compact and lightweight.

Good size

If we talk about the design of 18-400mm VC, this lens is reasonably long. But it turns out the perfect match when attached with bodies of APS-C SLR. When not extended, it only measures 4.9 by 3.1 inches. On extension, it measures up to 9 inches while it’s set on a 400mm position.

The lens barrel is black polycarbonate. This lens comes with built-in moisture protection, so you can efficiently operate it in the rain too. The zoom action is very smooth. Zoom barrel has set markings at 18mm, 35mm, 50mm, 70mm, 100mm, 200m, 300mm, and 400mm, and can be locked in place at 18mm for storage.

It is designed with a lock switch and the other two ways of control- AF/MF and VC On/Off. Manual operation is a little tricky and effort to require, so this lens is not recommended for manual lovers. There is another drawback in design that it doesn’t have any feature of dust protection.

Results of Tamron 18-400mm VC HLD varies at different focal lengths. At 18mm f/3.5, the lens delivers intense sharpness from edge to edge. Stopping down to f/5.6, there’s a modest resolution bump. The lens provides excellent results at f/8 and f/11.

An all-in-one zoom lens

There’s a slight drop of resolution at f/16 and a huge one at f/22. In general, 18-400 VC further qualifies itself as an all-in-one zoom with a maximum magnification (MM) rating of 0.34 and minimum focus distance (MFD) of 17.7″ (45 cm).

Telephoto focal lengths magnify camera shake resulting in blur images or poor quality results. This problem is minimized in this lens by VC technology. Tamron’s VC (Vibration Compensation) technology stabilizes the image in the viewfinder so that you can take sharp and solid telephoto shots.

VC is great for reducing camera shake in images. This is also very helpful for framing subjects while taking photos.

VC feature can help achieve results in poorly lit situations. Overall results are not good when the surrounding isn’t well illuminated. 18-400mm VC provides the best results in well-lighted areas. Satisfactory results are delivered in ample daylight.

Tamron added HLD (High/Low torque-modulated Drive) in this lens. This trait saves power, provides superior drive, enables smooth autofocusing, and focuses accurately and quietly while adjusting the motor’s rotation from low to high speeds.

The latest optical design of Tamron 18-400mm F/3.5-6.3 Di II VC HLD includes elements such as LD (Low Dispersion) glass and aspherical lens. Whether you’re shooting at wide-angle or telephoto, Tamron intends to provide sharp and superior quality images as well as to eliminate chromatic aberrations and distortion through its entire lens and entire zoom range. Lens also possesses a maximum magnification ratio of 1:2.9, so you can enjoy tele-macro photography.

Wider apertures are better for creating a background blur and eliminate diffraction. Unfortunately, a narrow range of aperture is offered by this lens. In many cameras, it is seen that image quality is reduced at f/11 through f/16 because diffraction kicked in, but the remaining aperture is still quite useful.

Tamron 18-400mm specifications:

  • Focal Length: 18 to 400mm (35mm Equivalent Focal Length: 28.8 to 640mm)
  • Maximum Aperture: f/3.5 to 6.3
  • Minimum Aperture: f/22 to 40
  • Lens Mount: Canon EF
  • Angle of View: 75° 33′ to 4°
  • Maximum Magnification: 0.344x
  • Minimum Focus Distance: 17.72″ / 45 cm
  • Optical Design: 16 Elements in 11 Groups
  • Diaphragm Blades: 7, Rounded
  • Focus type: Autofocus and manual
  • Image stabilization: Yes
  • Dimensions(ø x L): 3.11 x 4.9″ / 79 x 123.9 mm
  • Filter Size: 72 mm (Front)
  • Weight 1.6 lb / 710 g
  • Internal focus: yes
  • Focus limit switch: no
  • Supplied accessories: lens caps, hood
  • Weather shield: yes

Pros:

  • VC image stabilizer
  • Impressive wide-angle to super-telephoto range
  • Zoom lock (ZL) mechanism
  • Series of low dispersion elements for sharp results
  • Hybrid Aspherical Elements (ASL)
  • It can be attached to Tamron’s Tap-in console. Helps to connect easily with USB and personal computer.
  • High-quality tele photo-shoots
  • Conveniently compact and precise
  • Delivers 1:2.9 macro magnification when zoomed in
  • Other two controls beside lock switch- AF/MF and VC On/Off
  • Matches well with the APS-C SLR bodies
  • Very lightweight
  • Work well as a travel lens.
  • It gives the longest focal length range available in a DSLR lens
  • The rounded seven-blade diaphragm adds in bokeh quality.
  • Moisture resistance construction
  • HLD (High/Low torque-modulated Drive) saves power while providing superior drive

Cons:

  • Not an ideal lens for low light actions
  • Without wide apertures
  • VC feature is not very helpful while framing subjects
  • VC may not perform correctly during tripod use
  • By 50mm, image quality gets notably worse
  • A narrower aperture settings, diffraction negatively affecting sharpness
  • The Vignetting of the lens steadily decreases as you move the aperture down
  • Barrel distortion at the wide end. Pincushion distortion at the long end
  • FTM (Full Time Manual) focusing is not supported
  • Only available for Canon and Nikon APS-C DSLRs
  • Lacks the Tamron 16-300mm’s wide-angle potential

Focal lengths:

  • Focal length: 18mm Exposure: f/3.5
  • Focal length: 400mm Exposure: f/6.3

Packaging Info

  • Package Weight: 2.28 pounds
  • Box Dimensions (LxWxH): 7.85 x 5.8 x 4.95″

Final review:

Tamron 18-400mm F/3.5-6.3 Di II VC HLD gives a wide range of photo zooms to its users. This lens can be your best choice if you look for a lens with a maximum telephoto range at a better value for money.

This lens provides the most extended focal length range available for DSLR cameras, making it a fantastic lens to use. With 18-400mm VC, the design team of Tamron came up with a fair balance between specifications and price.

Besides excellent zooming capabilities, this camera lens is not too bulky for everyday use. Certain drawbacks such as the maximum aperture are relatively narrow, a little distortion, and image quality suffering at the edges and the long end of the zoom range unless you narrow down the f-stop. However, still, this lens is capable of providing you the best telephoto experience.

Tamron 10-24mm lens review

Tamron is well known for introducing optical solutions in the market with up-to-date features and technologies. Their lenses are trendy among photography professionals of different formats as well as general photography lovers.

If we take a look at the available lens for APS-C format, we can easily find out that glass manufactures are not offering as much, e.g., quality development, as they are offering for other formats. With the help of its market knowledge, Tamron found out that what exactly is missing in the APS-C sphere: a stabilized, wide-angle zoom with weather sealing and premium performance.

Tamron also fills this void in the APS-C sphere when they introduced Tamron 10-24mm f/3.5-4.5 Di II VC HLD lens coded as B023.

Tamron 10-24mm lens review

This new lens of Tamron is a successor to their Tamron 10-24mm f/3.5-4.5 Di II LD SP AF lens. It is equipped with DX-specific wide zooms to offer image stabilization for Nikon DSLR owners. 10-24mm VC HLD is a fast ultra-wide-angle zoom lens that is aesthetically designed and features Vibration Compensation (VC) technology, a new HLD (High/Low torque-modulated Drive) focus motor for fast and quiet AF operation, full-time Manual Focus override, and a moisture construction.

Key aspects:

10-24mm lens brings many significant facets for its users at an economical price. Peeking a look at additional features and significantly improved elements can better understand this lens.

Build quality

Tamron 10-24mm f/3.5-4.5 VC is designed differently from its predecessor. This lens is more aesthetically pleasing and user-friendly. It has a soft matte finish that feels very nice and smooth in hand and looks great too.

The lens’s length is slightly over 3 inches long, the diameter is around 3.3 inches (83.8 mm), and it features a 77mm filter thread. The lens weighs 440 grams with all compatible lens mounts. Tamron’s 10-24mm VC HLD is very lightweight and easy to handle in general.

Not only is it lightweight, but it is also pretty small. The lens is an exciting balance between both metal and rubber.

One additional feature of this lens is the moisture-resistant cover. It enables users to use lens even in harsh environmental conditions such as rain. Easily detachable screw-on lens hood also comes with 10-24mm VC HLD. At the end of the lens barrel, there is a zoom ring.

It has a rubberized finish and rotates very smoothly. On the left side of the barrel, there are AF and VC switches. One astonishing built-in aspect of the lens is that it does not change its size upon zooming in or out.

There are 16 lens elements in 11 groups in the lens, an improvement over the old predecessor with 12 elements in 9 groups. There is a fluorine coating on the front lens element to clean dust, grease, and smudges.

Image quality

This lens helps attain impressively sharp image quality for a wide-angle zoom lens. There is no quality loss throughout the aperture for the center of the image. But you can face disappointing and bland corner sharpness as the aperture goes smaller.

At 10mm, a full-frame body will show a powerful mechanical vignette. There is a noticeable vignette until you stop down. At around 13mm through 18mm, only the corners have hard shading, and the shading increases slightly at 20 – 24mm.

Tamron added its Broad-Band Anti-Reflection Coating (BBAR). BBAR improves the optic’s light transmission. It also suppresses reflections and dispersion across the lens’ surface. Lens hardly show any issue with flare, but chromatic aberrations are worst at wide-open apertures. Under favorable conditions, 10-24mm offers a very soft background and beautiful bokeh.

TAP-IN Console

This lens can be used with Tamron’s TAP-IN Console. This helps connect the lens to the computer via USB for secure data sharing, and if needed, small adjustments to quality focus and image stabilization can be made with it.

HLD and lens elements

This successor lens includes Tamron’s new HLD (High/Low torque modulated drive motor). HLD significantly improved the speed and accuracy of AF. Tamron 10-24mm HLD includes more elements, including 1 LD (Low Dispersion), 1 XLD (Extra-Low Dispersion), Aspherical, and Hybrid Aspherical elements.

XLD element is new, and it wasn’t present in the first version of this product.

Vibration Compensation System (VC)

Tamron included VC in this lens for the first time in the format of APS-C. The Best thing is that Tamron achieved this whilst hardly changing the size at all compared to the previous model. VC system enables to capture exceptional image results even in case of shakes and sudden movements.

It is highly advisable to turn the VC system off when using a tripod to get better results.

Autofocus

Under different lighting conditions, incredible autofocus results are delivered by this lens. The Tamron 10-24mm F3.5-4.5 Di II VC HLD’s <- Affiliate Link 🙂 AF performance depends on what camera you’re using, but considering that it’s a wide-angle lens, it’s easy to get focus accuracy.

Tamron 10-24mm specifications:

  • Focal Length [mm]: 35mm equivalent focal length of 15-36mm on Nikon APS-C cameras
  • 35mm equivalent focal length of 16-38.4mm on Canon APS-C cameras
  • Maximum Aperture: F/3.5-4.5
  • Minimum Object Distance [m]: 0.24
  • Maximum Magnification Ratio: 1:5.3
  • Filter Size: Φ77mm
  • Maximum Diameter: Φ83.6mm
  • Length: 84.6mm (3.3 in) for Canon
  • 82.1mm (3.2 in) for Nikon
  • Weight [g]: 440g or 15.5 ounces
  • Item No: B023
  • Groups-Elements: 16 elements in 11 groups
  • Angle of view (diagonal): 108°44-60°2
  • Diaphragm Blades: seven
  • Minimum Aperture: F/22-29
  • Diameter x Length [mm]: 83.6 x 84.6
  • Available Colors: Black
  • Standard Accessories: Front Cap, Lens hood
  • Compatible Mounts: Canon, Nikon

Pros:

  • Excellent build quality for the price
  • One molded glass Aspherical element
  • One low dispersion (LD) element
  • One extra-low dispersion (XLD) element
  • The image stabilization feature works very well with this lens.
  • Ultra wide-angle for zoom
  • Fluorine coating
  • Autofocus system (AF)
  • Vibration Compensation (VC) to reduce image distortion because of camera shakes
  • Compatible with Tamron’s TAP-in USB Console
  • Aspherical lens with large aperture and low dispersion element (LD)
  • High- to handle shape
  • Weather sealing shield
  • Compact and lightweight

Cons:

  • Variable apertures
  • HLD motor is very noisy in video mode
  • Corners sharpness is very disappointing and bland.
  • Distortions in wide end mode
  • Minor issues while focusing out
  • Fringing complaints in extreme circumstances
  • High edge CA
  • Low edge sharpness as aperture goes smaller.
  • No option for in-camera corrections.

Conclusion

Tamron 10-24mm F/3.5-4.5 Di II VC HLD helps capture ultra-wide views with exceptional qualities and gives a user experience with an ergonomically user-friendly design. This lens is an appealing addition to the APS-C SLR category. People who are considering adding an ultra-wide zoom lens to their lens gallery should consider buying this lens.

In its category, this lens is an inexpensive one than other available lenses. Not only is it inexpensive, but it offers sharp image quality, optical stabilization, a weather shield for your glass, and a lot more. Model B023 is a wide-angle zoom lens that covers an impressive, extensive range of zoom.

This zoom range is also the most massive focal length range in its class (35mm equivalent is 16mm to 37mm).

With a refreshing new design, Tamron’s new HLD (High/Low torque modulated Drive), fluorine coating, VC stabilization, and its lightweight, 10-24mm is an ideal lens for architecture photography.

Minor issues of corner distortions and low edge sharpness are there. In general, it should be praised for its build quality, lightweight offered variety in the zoom, decent image quality, fast autofocus performance, and compact size.

Tamron 18 200mm lens review

Tamron – This name is not new in the industry of making a camera lens for DSLR cameras. If you are looking for a macro lens, tele lens, wide-angle lens, or portrait lens, Tamron has the best fitting product for your camera lens demand. They keep on introducing lens tailored to capture your worthy moments of daily life to precious moments of special occasions.

Tamron 18 200mm lens review

The addition to Tamron’s professional-quality camera lens range is an 18-200mm f/3.5-6.3 Di II VC lens. This new camera lens is the successor to AF 18-200mm F/3.5-6.3 XR Di II LD Aspherical [IF] MACRO model A14. This predecessor model remained one of the best-selling products of Tamron when it was introduced in the market ten years ago before this new lens. Modern optical solutions are presented in new 18-200mm VC via mechanical design and efforts to achieve eminent lens performance and great photographic results.

Long-term experience in the market and expertise in-camera lens manufacturing helped Tamron great time deliver products with classic features and modern features such as vibration compensation, auto-drive module, double zoom lens, etc.

Consolidation of image stabilization with other features makes 18-200mm Di II VC deliver superior image quality. Besides other attributes, it is the lightest zoom lens in its class. A lot of photographic opportunities and optimal lens experience is what Tamron intend to deliver through its brand new lens.

This new lens has many significant improvements if we compare it to its predecessors. Tamron 18-200mm f/3.5-6.3 Di II VC can capture focal lengths from 18mm to 200mm.

Multi-functionality

You don’t have to carry multiple ranges of lens with you, and that’s when this lens with this range of focal lengths coverage and super zoom comes in handy.

This VC lens only weighs 400g or 14.1 oz. This makes it the lightest weight lens in its category. Its advanced mechanical design makes it easy to use, adds incredible balance and a comfortable feel even when attached with a simple DSLR camera.

An autofocus drive module is induced in this lens with optimal DC motor-gear train integration making autofocus faster, quieter, and more precise. This feature enhanced the accuracy of capturing fast-moving objects.

VC (Vibration Compensation) is another remarkable feature of this lens. Vibration compensation is for sharp handheld shooting where other lens needs a tripod. Night shots and telephotos are usually prone to image shaking or bad results due to camera shake, but the VC feature keeps the image precise and sharp. VC will help you to achieve a smooth viewfinder image.

Useful zoom lock

Zoom lock attribute helps to avoid undesired lens extension. Low dispersion element is also there in this 18-200mm VC lens for more exceptional image sharpness and correction of any chromatic aberration.

Moisture is always an enemy for gadgets like a lens, but don’t worry about it anymore. Moisture resistance construction is there in this lens for shooting outdoors. It helps to protect the camera lens from inclement weather. There’s a slight drawback to this feature. Lens is preserved only in case of light rain. Moisture resistance construction won’t protect your lens in case of heavy rain.

Another attribute of this lens is the tremendous round blurring effect keeping the image in the circular diaphragm. It provides naturally rounded shapes adding up in the beauty of photographs. It also delivers a perfectly round shape even when an image is captured at two stops down from its maximum aperture. It blurs sources of light into perfect round shapes providing desirable and beautiful bokeh.

Creative lens

A broad range of creative options is waiting for a photography lover in Tamron 18-200mm f/3.5-6.3 Di II VC lens. <- Affiliate Link 🙂 There is a wide range of crops and compositions. You don’t need to change your lens to shoot close-ups, groups, and distant objects.

Composition can be changed on this same lens. Everyday shoots zoom range is covered in one glass. You can easily take group photos in tight places and make distant objects appear near this one lens.

Best results via this lens are delivered at more extensive focal lengths between 18 to 50mm and wide aperture settings up to f/8.

If you are capturing a lot of pictures at the long focal length of 200mm, then mid-aperture settings of f/8 and f/11 offer the best sharpness and contrast for your images.

Tamron 18-200mm f/3.5-6.3 Di II VC lens cost is priced relatively low than its market contender, such as Canon. This pricing does not have a considerable difference in competitors’ prices, so this price is not a very strong competitive edge for Tamron. But this single lens gives you a lot of photographic juncture in your hand that can be undeniably useful.

Tamron 18 200mm specifications:

  • Model: B018
  • Focal length: 18-200mm
  • Angle of view: diagonal. 75゜33′ – 7゜59′
  • Max aperture: F/3.5-6.3
  • Optical construction: 16 elements in 14 groups
  • Minimum object distance: 0.49m/19.3in. (180mm)
  • 0.77m/30.3in. (at 35mm)
  • Maximum magnification ratio: 1:4
  • Filter size: Φ62mm
  • Maximum diameter: Φ75mm
  • Length: For Canon: 96.6mm (3.8 in.)*
  • for Nikon: 94.1mm (3.7 in.)*
  • Weight: 400gm
  • Aperture blades: 7(circular diaphragm)*2
  • Focal length: 18mm, Exposure: F/3.5
  • Focal length: 200mm, Exposure: F/.5

Pros:

  • Vast focal range of 18-200mm
  • rounded aperture blade produces quite great bokeh
  • convenient to use
  • wide-angle photo to telephoto in a single lens
  • maximum magnification due to close focus
  • color rendition of image
  • well-controlled chromatic aberrations
  • double barrel zoom design (3.8”/96.6mm, another 65mm/2.5 inches added when the lens is fully zoomed out)
  • magnified camera vibration (VC) in telephoto mode
  • slow shutter speed in dim lighting
  • improved aperture iris
  • amazing features in economic costing
  • built-in image stabilizer
  • lightest weight lens in its category
  • zoom range of 28-310mm
  • autofocus system using DC motor gear train integration for high results
  • rotatory zoom method
  • number of new upgrades
  • moisture resistance construction feature
  • zoom lock switch

Cons:

  • no aperture ring
  • no distance scale
  • no DoF scale
  • flare prone
  • not super sharp results always while capturing
  • no power zoom
  • no tripod collar
  • micro-contrast feature isn’t outstanding
  • focus ring spins while focusing
  • manual override is not available with this lens’ AF motor
  • slow lens in terms of aperture
  • Moisture resistance isn’t a token of security from wetness. Only work in case of light rain

Conclusion

In general, this lens is excellent and somehow an extra effort for Tamron in the budget lens class. A lot of photographic opportunities are there for you if you get your hands on this lens. This lens is very lightweight, very convenient to use even for beginners, and very economical and budget-friendly with all its features.

It is also equipped with optical image stabilization, the new edition of the VC system, moisture resistance shield giving it an edge in the market compared to other lenses in this price range.

This lens has a lot of improvements if compared to its predecessor camera lens from Tamron. Features like moisture resistance, image stabilization, lightweight, controlled chromatic aberrations, and maximum magnification make it a great lens in the inexpensive lens category.

The super-zoom feature’s quality is moderately increased in the 18-200mm VC lens than its forerunner lens. This incredible characteristic is very less compromised.

This lens might appear that it is aiming to capture casual photographs. In reality, significant results can be achieved by it in general—few drawbacks and not very low priced than competitors. Still, 18-200mm VC can be one wise purchase if you’re interested in getting good results and experience ease while getting these excellent results.

Canon EF 75-300mm F 4-5.6 III lens Review

Canon EF 75-300mm f/4-5.6 III is a telephoto zoom lens renowned for its versatile range. It can be used with full-frame Canon EF-mount DSLRs and APS-C models. It is also characterized by its relatively lightweight and well-built design, which gives it a compact form factor.

Not only that, it performs beautifully and is ideally suited for all sorts of photography such as portraiture, wildlife, sports, and many more. It features medium telephoto fields of view and delivers fast and accurate autofocus performance thanks to its DC micro motor.

Then its image quality is also top-notch, and it benefits from a Super Spectra coating, which helps minimize lens flare and ghosting in order. This results in the achievement of higher contrast and more accurate colors. Moreover, it also features a seven-blade diaphragm to produce smooth and pleasing bokeh.

Let us look at the features of this Canon EF 75-300mm in detail to understand what makes it so special:

Canon EF 75-300mm F 4-5.6 III lens Review

Canon EF 75-300mm Lens has many features that make it worthy of purchase. There are many features to discuss: light, small, and cheap to versatile focal length range, durability, and performance. Let’s begin with built.

The Canon EF 75-300mm Lens build quality is above par. This includes both lightness is and smooth zoom and focus rings. It can survive a lot of abuse as it is made of durable material that lasts. It is itself compact with 71 x 130.3mm measurements and very easy to carry as it weighs only 480 grams, but it extends significantly when zooming.

As for the price, this Canon Lens also comes with a reasonable price tag to make things even easier for you. Anyone can afford it as it costs considerably less than the rival. It might is cheap, but this doesn’t comprise quality on features. It gives the best value for money as the plethora of features it provides function as well. You won’t find any other lens with so many offerings.

High image quality

The Canon EF 75-300mm f/4-5.6 III USM Lens is also for those who want good image quality. Not only is a telephoto zoom designed for a versatile focal length range from 120-480mm, but it also has a Super Spectra coating on its elements.

This reduced ghosting and flare and results in much better contrast and color neutrality when shooting in bright situations. Sharpness remains at all levels. Even though there is some softness at the corners and center, it produces good images overall.

Chromatic aberrations are also minimum, and vignetting is well controlled as well. The focusing speed is also fast; thus, it is perfect for both beginners and professionals.

Finally, it also features newly developed Micro USM, which makes autofocusing not only quicker but quieter as well. This is what makes it different from its predecessors. An electromagnetic diaphragm complements this micro motor for better photography at fast continuous speeds.

The seven-bladed diaphragm also leads to pleasing bokeh, which is a very decent feature in this price range. There is also a new and improved zoom mechanism, which enables smoother zooming. The zoom ring also looks classy as it has a silver ring on its front part of the now for a luxury touch. So all in all, this lens performs well, lasts long, and looks good too!

Canon EF 75-300mm specifications:

  • Mounts On: Full Frame, APS-C
  • Lenses / Groups: 13/9
  • The angle of View: Horizontal: 27° – 6°50.’
  • The angle of View: Diagonal 32°11′ – 8°15.’
  • The angle of View: Vertical: 18°11′ – 4°35.’
  • Aperture Range – Wide: f/4.0-32
  • Aperture Range – Long: f/5.6-45
  • Number of Aperture Blades: 7
  • Actual Weight: 480g /16.9 oz
  • Lens Hood Weight: 25g / 0.9 oz
  • In-Use Weight: 505g / 17.8 oz
  • Measured Size DxL: 71 x 130.3mm / 2.79 x 5.13”
  • Max Length at Full Extension: 197.5mm / 7.78”
  • Extends with Zoom: Yes
  • Zoom Extension Length: 61.3mm / 2.41”
  • Extends with Focusing: Yes
  • Focus Extension Length: 13.9mm / 0.55”
  • Lens Hood Size (DxL): 86.7 x 55.6mm / 3.41 x 2.19”
  • Lens Length with Hood (Min-Max): 183.2 – 251.5mm / 7.21 – 9.9”
  • Size of focus Rings: 18mm / 0.71’’
  • Size of Zoom Rings: 76.6mm / 3.02”
  • Filter Size: 58mm
  • Filter Mount Rotates: Yes
  • AF Motor Type: Micro Motor
  • Full-Time Manual Focus: No
  • Focus Ring Rotation: 114°
  • Specified Min Focus Distance: 1500mm / 59.06”
  • Tested Min Focus Distance Wide: 1369mm / 53.9”
  • Tested Min Focus Distance Long: 1449mm / 57.05.”
  • Maximum Magnification: 0.25x
  • Magnification Range with 12mm Ext Tube: 0.21-0.04x
  • Magnification Range with 25mm Ext Tube: 0.39-0.09x
  • Zoom Ring Rotation: 90°
  • Tripod Ring Included: No
  • Lens Hood Included: No
  • Weather-Sealed: No
  • Image Stabilization: No
  • Extender Compatible: No
  • Case Included: No

What’s in the box?

  • Canon EF 75-300mm f/4-5.6 III Lens
  • E-58 II 58mm Lens Cap
  • Lens Dust Cap E (Rear Lens Cap)
  • Limited 1-Year Warranty
  • User Manual

Pros:

  • Lightweight
  • Compact
  • Seven bladed diaphragms for nice bokeh
  • Precise and quick autofocus
  • Reasonably priced
  • Versatile zoom range
  • Compatible with many canon cameras

Cons:

  • No image stabilization
  • Softness at corners and centers
  • No weather sealing

Conclusion

All in all, this Canon EF 75-300mm f/4.0-5.6 III <- Affiliate Link 🙂 is not only a compact and lightweight 4x telephoto zoom lens, but it is also the most compatible one. It is very versatile and can be used for many purposes, including sports photography, shooting portraits, capturing wildlife, etc… It can be mounted on all Canon full-frame and APS-C format DSLRs.

From optical system and exterior to construction and performance, everything is excellent. So this lens gives you value for money by delivering features and performance, which Canon is famous for!